# Fifteen Ways to Draw a Line

All Processing code for this article, along with images, can be found on Github

Early last year I challenged myself to come up with twenty five designs using only Perlin flow fields and followed that up with seventy-five different ways to draw a circle. In this article I explore another simple challenge: fifteen different ways to draw interesting lines.

## The Constraints

I set three constraints for this challenge. As before, my first constraint was to forego the use of color so that I could focus on forms and shapes instead.

Second, each version should be implemented as an independent, re-usable function conforming to the following declaration:

void line(float x1, float y1, float x2, float y2,
float weight, float value) {
/*
* Draw a line from (x1, y1) to (x2, y2) with a given
* weight and darkness (value)
*/
}


This way, I can easily reuse them later for other works. Above, you’ll see that I specify two additional parameters: a stroke weight and a value (or lightness/darkness).

As the third and final constraint, each version had to have some generative/procedural component to it. That is, each time the function is called, a new variant should be generated.

Enough talking. Here are the results! Enjoy!

## Fifteen Lines

I started with a basic formatting of different weights and values that I was looking for and went with the simplest possible line. Below, the stroke weight increases from left to right, and the values get lighter from top to bottom:

#1

My immediate next urge was to form the line thickness from multiple thinner lines. The endcaps of the line can be seen as a circle of diameter specified by weight. I generated a random point inside the circle around the first endpoint and another around the second, and connect them with a line whose color is based on the specified value:

#2

Instead of drawing complete lines, I instead sampled a few points on the line instead and drew small ellipses (with the required opacity to get the correct value):

#3

I wanted to try and see if I could use a solid black fill for the ellipses and vary the value using just the density of the sampling itself, and it seems to work quite well:

#4

I decided to switch gears a bit and, after generating a few random points inside the line shape, created a Delaunay diagram (using Lee Byron’s fantastic Mesh library for Processing. The value was determined by the lightness of the lines:

#5

Since I was using the Mesh library anyway, I figured I would also try to do just a convex hull of the randomly-generated points. This gives an interesting brush-like shape:

#6

At this point I wanted to try a variation of a previous sketch: instead of generating random lines ending near the endpoints of our line, I wanted to generate them anywhere within the line’s shape. The result was subtly different, but the different was not particularly discernible:

#7

Since I was generating random points along the shape of the line anyway, I figured I’d just draw some ellipses instead. I use random diameters based on the specified weight, but this is the first one where I start drawing outside the bounds of the original shape:

#8

In the next one, I removed the fill and used just a thin outline stroke. Tip: you can specify fractional stroke weights in Processing to get thinner lines (e.g. strokeWeight(0.5))

#9

Rather than generating ellipses with random positions and diameters, I decided to generate them on the original line with a random diameter up to the specified stroke weight:

#10

This time I went from the stroke-only version to the filled version because I had just done that variation betweween #8 and #9:

#11

Now I decided to combine the stroke-only and fill-only versions. I used opposing colors for the stroke and fill to get the different values: lighter values have a dark stroke with very light fill, while darker values have a light stroke with a much darker fill:

#12

I moved on to implement a simple walker that walks along the line with random shifts in its position. I overlaid a bunch of these to get the next iteration:

#13

I then reduced the step size to a very small amount to get a perpendicular scribble, and drew just a single walk from endpoint to enpoint with random variations based on the specified stroke weight:

#14

And finally, I decided to use a closed shape instead of an open one, allowing for filling in the parts that jut out of the original line:

#15

I suspect I could push this exercise pretty far if I wanted to, but I’ll stop: I’m already glad to have fifteen interesting line variations to play around with in future sketches!